tag:blogger.com,1999:blog-324219268547976232024-03-14T01:15:06.965-07:00ROSA JIJONWORKS IN PROGRESS
PROPOSALS
IDEAS SHARING
COMMON GOODSAnonymoushttp://www.blogger.com/profile/17135277515436541633noreply@blogger.comBlogger74125tag:blogger.com,1999:blog-32421926854797623.post-47670991146500825322015-05-30T13:13:00.000-07:002015-10-14T02:05:26.789-07:00PORTFOLIO<div data-configid="1456358/30694726" style="width:525px; height:197px;" class="issuuembed"></div><script type="text/javascript" src="//e.issuu.com/embed.js" async="true"></script> Anonymoushttp://www.blogger.com/profile/17135277515436541633noreply@blogger.comtag:blogger.com,1999:blog-32421926854797623.post-15196034668054729082015-05-18T03:45:00.002-07:002015-06-15T07:57:17.795-07:00VINCERE IL CONFINE / LIBRO <div class="separator" style="clear: both; text-align: center;">
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“Vincere il Confine. Tor sapienza, Nuove generazioni Rom e nuove politiche urbane a Roma nella costruzione della città inclusiva e interculturale del futuro”. A cura di Adriana Goni Mazzitelli Aracne editrice
Anonymoushttp://www.blogger.com/profile/17135277515436541633noreply@blogger.comtag:blogger.com,1999:blog-32421926854797623.post-73731672811008957872015-04-17T03:18:00.000-07:002015-04-17T03:18:29.084-07:00CATALOGO DE LA MUESTRA POETICAS DEL PRESENTE - MUSEO PUMAPUNGO - JOSE LUIS CORAZON ARDURA CURADOR<div class="separator" style="clear: both; text-align: center;">
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Anonymoushttp://www.blogger.com/profile/17135277515436541633noreply@blogger.comtag:blogger.com,1999:blog-32421926854797623.post-61254446414945622112013-09-29T18:04:00.002-07:002013-09-29T18:04:57.313-07:00EL MUSEO DEL BARRIO<blockquote class="twitter-tweet">
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la semana que viene toca pa' Guayaquil! los espero <a href="http://t.co/Iw7FgYT1vD">http://t.co/Iw7FgYT1vD</a></div>
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— Rosa Jijon (@rosadelosandes) <a href="https://twitter.com/rosadelosandes/statuses/384287783667245056">September 29, 2013</a></div>
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Anonymoushttp://www.blogger.com/profile/17135277515436541633noreply@blogger.comtag:blogger.com,1999:blog-32421926854797623.post-47321273551308742842013-07-09T01:46:00.001-07:002013-07-09T01:46:32.391-07:00REVISTA ERRATA_ ARTICULO SOBRE ACTIVISMO, ARTE Y MIGRACIONES<iframe width="525" height="525" src="//e.issuu.com/embed.html#1456358/3954854" frameborder="0" allowfullscreen></iframe>Anonymoushttp://www.blogger.com/profile/17135277515436541633noreply@blogger.comtag:blogger.com,1999:blog-32421926854797623.post-6539189695022494512013-04-09T04:39:00.001-07:002013-04-09T04:39:35.953-07:00A proposito delle donne in Antartide _ articolo su Mosaico di Pace <div class="issuuembed" data-configid="1456358/2013488" style="height: 459px; width: 650px;">
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Anonymoushttp://www.blogger.com/profile/17135277515436541633noreply@blogger.comtag:blogger.com,1999:blog-32421926854797623.post-54002238333687221032013-03-06T03:14:00.000-08:002013-03-06T14:45:00.102-08:00ULTIMOS DIAS EN LA CIUDAD_ENTREVISTA DE FABIANO KUEVA<div style="text-align: center;">
<img border="0" height="107" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0V4421RcS3G2IBNdMD7IUF8VrwmIxewvIwhco7hyK-EYRh893vAhYH-Ro61GEAr0vkD2NU9ZxztXS0QWReTiw3VXWkhrvMOpGXUaZUOmzsMtWXbEXjjJZXS1yxZu2Gd3TVuSia1Qk1Os/s400/banner_ultimos_dias.jpg" width="400" /> </div>
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<a href="http://www.flacsoradio.ec/index.php/programas/cultura-entretenimiento/ultimos-dias-en-la-ciudad">ultimos dias en la ciudad</a></div>
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Diálogo con la artista ecuatoriana Rosa Jijon sobre políticas culturales, mediación artística, bienales, archivos y su residencia ARTEA en la Antártida.
Fabiano Kueva_FLACSO RADIO
<a href="http://www.flacsoradio.ec/index.php/programas/cultura-entretenimiento/ultimos-dias-en-la-ciudad">flacsoradio.ec</a></div>
Anonymoushttp://www.blogger.com/profile/17135277515436541633noreply@blogger.comtag:blogger.com,1999:blog-32421926854797623.post-18727087760157130212013-02-26T05:52:00.006-08:002013-02-26T05:52:56.464-08:00EL ARCHIVO DEL HIELO_O DE COMO SUPERAR EL TERROR AL BLANCO<div class="separator" style="clear: both; text-align: center;">
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TODO SOBRE EL PROYECTO ARTEA_RESIDENCIA SUR ANTARTICA PUEDE CONSULTARLO EN </div>
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<a href="http://archivodelhielo.wordpress.com/">http://archivodelhielo.wordpress.com/</a></div>
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VISITE TAMBIEN LA PAGINA FACEBOOK</div>
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<a href="https://www.facebook.com/elarchivodelhielo">https://www.facebook.com/elarchivodelhielo</a></div>
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EN LA ANTARTICA JUNTO AL IDEADOR DE ESTA AVENTURA </div>
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EL ARTISTA <a href="http://www.larevista.ec/cultura/arte/arte-contemporaneo-en-la-antartida">ALLAN JEFFS</a></div>
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Anonymoushttp://www.blogger.com/profile/17135277515436541633noreply@blogger.comtag:blogger.com,1999:blog-32421926854797623.post-71021249312608358612012-10-02T07:15:00.000-07:002012-10-02T07:40:24.993-07:00SA'R SAN AT THE GATES OF THE CITY<div class="separator" style="clear: both; text-align: center;">
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<span style="color: #444444; font-family: Verdana, sans-serif;"><a href="http://alleporte.blogspot.it/">IL SITO DEL PROGETTO</a></span></div>
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<span style="color: #444444; font-family: Verdana, sans-serif;">A new project, new video-makers, new story </span></div>
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<span style="color: #444444; font-family: Verdana, sans-serif;">tellers at the gates of Rome. </span></div>
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Anonymoushttp://www.blogger.com/profile/17135277515436541633noreply@blogger.comtag:blogger.com,1999:blog-32421926854797623.post-75004683706286189392012-09-10T09:37:00.002-07:002012-10-02T09:37:05.577-07:00WORLD URBAN FORUM <div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">PARTICIPANTES EL EL VI FORO URBANO MUNDIAL _ SA'R SAN_ NAPOLES SEPTIEMBRE 1 -7 2012</span></div>
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<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"> </span><img alt="" border="0" 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" 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<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><a href="http://www.unhabitat.org/categories.asp?catid=9">WORLD URBAN FORUM WEBSITE </a></span></div>
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<span style="font-size: small;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">SA'R SAN at the gates of the city</span></span></div>
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<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="background-color: white; color: #333333; display: inline ! important; float: none; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 12.7273px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;">The SA’R SAN Project aims to promote and reinforce the rights and well-being of Roma children and families and to create favorable pre-conditions for social inclusion and individual-community development. </span></span></span></div>
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<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="background-color: white; color: #333333; display: inline ! important; float: none; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 12.7273px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;">We work towards this goal through a multi-faceted, expressive, participatory learning process which offers opportunities – in Expressive and Creative Arts Workshops - for children and adults to e</span>xpress their ideas and feelings, needs and cultures, encounter others, acquire self esteem and build cognitive and social skills. </span></span></div>
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<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><span style="font-size: small;">The project also strives to facilitate and accompany communication and collaboration between the key actors in the children’s everyday care environments: from families to schools, from neighbors to social services, from institutions to local cultural agents, etc. </span></span></div>
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<span style="font-size: small;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">A primary goal is to bring the children’s (Roma and non) voices and proposals into a coordinated neighbourhood and city-wide dialog and co-planning process concerning the situation of Roma children’s and families’ everyday physical and care environments and to identify shared strategies and initiate actions for the improvement of neighbourhood relations, spaces and overall living conditions</span>.</span></div>
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Anonymoushttp://www.blogger.com/profile/17135277515436541633noreply@blogger.comtag:blogger.com,1999:blog-32421926854797623.post-23533597037449131602012-07-24T10:03:00.000-07:002012-10-02T09:37:56.018-07:00ART STAYS - ESLOVENIA<div class="separator" style="clear: both; text-align: center;">
<a href="http://www.artstays.si/index.php?option=com_content&view=article&id=194&Itemid=1"><img border="0" height="168" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyby0GD8prHYaiEQqIvG7p1lhS_oU7tIjA_pMLhAB-Q6oW_nqi2ggomQJgAbPxFf6irUKh5wLZ5kNejxtAh2do_dykKz0slGxULW5lUa3gBLNmsO1baNpkfZCMxjUzracCgTVJyA-bxSM/s640/ART+STAYS.jpg" width="640" /> <span style="font-family: Verdana, sans-serif;">ART STAYS</span></a></div>
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<span style="font-family: Verdana, sans-serif;">El
Festival Internacional de Arte Contemporáneo <b>ART STAYS de Ptuj,
Eslovenia</b>, uno de los màs importantes Festivales de Arte Contemporáneo de Europa, este año en su 10 º aniversario, reunirá a artistas contemporáneos de todo el mundo.</span></div>
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<span style="font-family: Verdana, sans-serif;">El programa que hace parte de <span style="font-weight: bold;">Maribor 2012, Capital Europea de la Cultura</span>, cuenta con
la presencia de 26 países europeos y seis de otros continentes, con
proyectos especiales, como la presentación de las academias europeas,
espectáculos y performances. </span></div>
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<span style="font-family: Verdana, sans-serif;">Un grupo de comisarios, en colaboración con organizaciones y las galerías mas importantes de todo el mundo ha producido un festival que reafirma el rol de protagonista de ART STAYS en la escena artística europea. </span></div>
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<span style="font-family: Verdana, sans-serif;">En este ámbito, el 31 de Julio 2012 se inaugura la muestra <span style="font-style: italic; font-weight: bold;">“Latinoamérica, Arte entre identidad y mascara”</span> a cargo del curador Chileno <span style="font-weight: bold;">Antonio Arévalo</span>. </span></div>
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<span style="font-family: Verdana, sans-serif;">Catorce artistas de diversos países latinoamericanos dan forma a la propuesta de Arévalo:
Felipe Águila (Chile), Marlon De Azambuja (Brasil), Darío Escobar
(Guatemala), Gianfranco Foschino (Chile), Regina José Galindo
(Guatemala), Luís Gonzáles Palma (Guatemala), <b>Maria Rosa Jijon
(Ecuador),</b> David Pérez Karmadavis (Republica Dominicana), Priscila
Monge (Costa Rica), Ronald Moran (El Salvador), Carlos Motta
(Colombia), Iván Navarro (Chile), Ishmael Randall Weeks (Perú),
Enrique Zamudio (Chile).</span></div>
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<span style="font-family: Verdana, sans-serif;">Este año, ART STAYS acoge diariamente conferencias de artistas y curadores, asi como talleres como parte de la Academia de verano que se desarrolla durante el festival. Participan Felipe Águila, Marlon De Azambuja, Gianfranco Foschino, Maria Rosa Jijon y Ronald Moran, artistas de la residencia que se llevara a cabo del 27 Julio al 3 de agosto, donde realizaran intervenciones, y conferencias para compartir sus experiencias profesionales.</span></div>
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<span style="font-family: Verdana, sans-serif;">“El lenguaje de estos artistas de proveniencias distintas, cumple un importante papel en el mundo de la imagen contemporánea y propone una reflexión sobre conceptos
de identidad, raza, clase, religión, genero y sexualidad”, dice el
curador Antonio Arévalo en la entrevista que presenta la exposición, “me
interesaba juntar esta pluralidad y contar la extrema fragilidad de
esta investigación visual que se mueve entre la biografía sentimental y
el análisis sociológico, entre la memoria literaria y la experimentación
ritual«.</span></div>
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<span style="color: #444444; font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"> </span></h4>
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<span style="color: #666666; font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"> STOP_INSTALACION DE LA SERIE "IT'S JUST A GAME" _ ROSA JIJON_2012</span></h4>
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Anonymoushttp://www.blogger.com/profile/17135277515436541633noreply@blogger.comtag:blogger.com,1999:blog-32421926854797623.post-48743051708496699012012-07-07T02:29:00.000-07:002012-07-07T02:29:25.031-07:00ART STAYS<a href="http://www.blogger.com/goog_819653302">DESDE EL 27 DE JULIO HASTA EL 3 DE AGOSTO 2012</a><br />
<a href="http://www.blogger.com/goog_819653302">RESIDENCIA Y EXPOSICION EN ART STAYS 10 FESTIVAL OF CONTEMPORARY ART</a><br />
PTUJ, ESLOVENIA<br />
<br />
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</div>Anonymoushttp://www.blogger.com/profile/17135277515436541633noreply@blogger.comtag:blogger.com,1999:blog-32421926854797623.post-44479257134380872882012-05-24T23:40:00.001-07:002012-10-02T09:38:38.503-07:00IT'S JUST A GAME<div style="text-align: center;">
<a href="http://esolounjuego.blogspot.it/"><span style="font-family: Verdana, sans-serif;">MOSTRA IT'S JUST A GAME MUSPAC L'AQUILA - 31 MAGGIO 2012</span></a></div>
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Anonymoushttp://www.blogger.com/profile/17135277515436541633noreply@blogger.comtag:blogger.com,1999:blog-32421926854797623.post-82541503480562668122012-04-11T05:05:00.000-07:002012-04-11T06:17:36.526-07:00El desmontaje de las fronteras<div style="font-family: "Trebuchet MS",sans-serif; margin-bottom: 0in; text-align: justify;">
<style type="text/css">
<a href="https://www.facebook.com/centrodearte.contemporaneo?sk=wall">https://www.facebook.com/centrodearte.contemporaneo?sk=wall</a><!--
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</style><span style="font-size: small;"><b> María Rosa Jijón // Roma</b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlQppPG2-_tfT1JdJbWYxPRCsXAjAoeWpXR_T5hjB52LZemlUWbDjgchqwpEIqC1LI7h-lIKXTmVV1WqXbJGFHyoZv3VJfeG-S7N-258SQMLzFl-VKEupvR5ZBZHUnjJBUs8b7aUDDUt0/s1600/392077_189959854430393_100002491381375_371664_684985761_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlQppPG2-_tfT1JdJbWYxPRCsXAjAoeWpXR_T5hjB52LZemlUWbDjgchqwpEIqC1LI7h-lIKXTmVV1WqXbJGFHyoZv3VJfeG-S7N-258SQMLzFl-VKEupvR5ZBZHUnjJBUs8b7aUDDUt0/s640/392077_189959854430393_100002491381375_371664_684985761_n.jpg" width="440" /></a></div>
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<div style="font-family: "Trebuchet MS",sans-serif; margin-bottom: 0in; text-align: justify;">
<span style="font-size: small;">La ruta del euro es hoy, más que
nunca, un ensayo actual y pertinente que nos habla de la
movilidad humana, de la crisis estructural familiar que
resulta de la migración y la crisis socio económica que está
afectando a todo el“norte rico”, lugar de los
tradicionales países de acogida, y destino de tantos compatriotas.</span></div>
<div style="font-family: "Trebuchet MS",sans-serif; margin-bottom: 0in; text-align: center;">
<br /></div>
<div style="font-family: "Trebuchet MS",sans-serif; margin-bottom: 0in; text-align: justify;">
<span style="font-size: small;">La España de la riqueza, de las
oportunidades, de la realización de sueños ya no existe.
Desde la decadencia económica y política que se vive en
todo el llamado primer mundo, hasta las movilizaciones
mundiales que se iniciaron en el norte de África con
la primavera árabe y luego siguieron en la Puerta del
Sol en Madrid y el movimiento Occupy, las relaciones
económicas a nivel mundial han ido transformándose.</span></div>
<div style="font-family: "Trebuchet MS",sans-serif; margin-bottom: 0in; text-align: center;">
<span style="font-size: small;"><br /></span>
</div>
<div style="font-family: "Trebuchet MS",sans-serif; margin-bottom: 0in; text-align: justify;">
<span style="font-size: small;">En medio de toda la confusión, también
el movimiento emigrante ha hecho sus
reivindicaciones, organizándose por fuera de los gobiernos y de las
asociaciones de asistencia y hablando con voz propia
desde diversas plataformas transnacionales. Muchas de
estas voces han sido representadas desde lugares
comunes y análisis sociológicos e históricos,
dejando como resultado estadísticas y datos que no retratan
las vidas y entornos de los propios migrantes.</span></div>
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<span style="font-size: small;"><br /></span>
</div>
<div style="font-family: "Trebuchet MS",sans-serif; margin-bottom: 0in; text-align: justify;">
<span style="font-size: small;">El 18 de diciembre del 2012 se llevó a cabo una
jornada mundial por los derechos de los trabajadores migrantes y sus familias, promovida por una red
internacional de organizaciones de base que, desde
Madrid hasta Dakar, se habían dado cita previamente en foros sociales temáticos y mundiales. Esta
fecha coincidió con la presentación de la muestra La ruta
del euro en el Centro de Arte Contemporáneo de Quito.</span></div>
<div style="font-family: "Trebuchet MS",sans-serif; margin-bottom: 0in; text-align: justify;">
<span style="font-size: small;"><br /></span>
</div>
<div style="font-family: "Trebuchet MS",sans-serif; margin-bottom: 0in; text-align: justify;">
<span style="font-size: small;">El ejercicio propuesto por los
fotógrafos Iván Garcés y Paco Salazar arroja una mirada
trasversal a la condición de migrar, ese camino difícil y
silencioso que ha transformado la sociedad ecuatoriana y
la ha enfrentado a una serie de intercambios
emocionales y culturales que pocas veces tenemos la oportunidad
de ver. Desde un barrio obrero de Madrid hasta un
barrio marginaldel Quito metropolitano, estos dos
artistas decidieron ponerse ellos mismos en juego y entrar
en las vidas de una familia separada por la distancia
geográfica, pero unida por un hilo delgado llamado
esperanza.</span></div>
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<span style="font-size: small;"><br /></span>
</div>
<div style="font-family: "Trebuchet MS",sans-serif; margin-bottom: 0in; text-align: justify;">
<span style="font-size: small;">El aporte de Garcés y Salazar, en este
caso, transforma al fotógrafo en un mediador que va
más allá del simple productor de imágenes y lo
convierte en un salvoconducto portador de historias
íntimas que, al ser narradas desde las dos orillas de
este viaje, se convierten en paradigmas de otras tantas
historias.</span></div>
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<span style="font-size: small;"><br /></span>
</div>
<div style="font-family: "Trebuchet MS",sans-serif; margin-bottom: 0in; text-align: justify;">
<span style="font-size: small;">Garcés entra en contacto consigo
mismo, en su condición de migrante y extranjero, y se
retrata en el rostro de una mujer anónima que adquiere
nombre y apellido, y que es tantas otras mujeres y hombres
ecuatorianos. Salazar explora, busca la familia de
origen, aquella que espera noticias y llamadas telefónicas
cortas e intensas, que espera la llegada del fin de mes
para resolver sus urgencias. Los dos se embeben de la
cotidianidad de esta familia, se enteran en primera
persona de los logros y aspiraciones a ambos lados y nos
regalan imágenes simples, sin pretensiones ni
embellecimientos superfluos. Pero hablan también de un país
que ha perdido a cientos de miles de sus ciudadanos
cuyos derechos han sido negados en uno y otro territorio.</span></div>
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<span style="font-size: small;"><br /></span>
</div>
<div style="font-family: "Trebuchet MS",sans-serif; margin-bottom: 0in; text-align: justify;">
<span style="font-size: small;">Dar vueltas por La ruta del euro es
entrar un poquito en todo esto que nos ha pasado durante
más de diez años, que nos ha despojado de una idea
de pertenencia e identidad y nos ha obligado a vernos
como ecuatorianos de exportación, como los
inmigrantes.</span></div>
<div style="font-family: "Trebuchet MS",sans-serif; margin-bottom: 0in; text-align: center;">
<span style="font-size: small;"><br /></span>
</div>
<div style="font-family: "Trebuchet MS",sans-serif; margin-bottom: 0in; text-align: justify;">
<span style="font-size: small;">Los dispositivos utilizados en el
montaje de la exposición, y que complementan la
fotografía, dan cuenta además de las fronteras extendidas,
que permiten el paso indiscriminado de mercadería y
recursos financieros e impiden la libre circulación
de seres humanos. Fronteras construidas en las sedes de
decisiones que alimentan un mercado de trabajo
clandestino y mal remunerado, en donde el trabajador
migrante es un sujeto vulnerable o un productor de
recursos para el desarrollo, según la mirada que se
quiera adoptar.</span></div>
<div style="font-family: "Trebuchet MS",sans-serif; margin-bottom: 0in; text-align: center;">
<span style="font-size: small;"><br /></span>
</div>
<div style="font-family: "Trebuchet MS",sans-serif; margin-bottom: 0in; text-align: justify;">
<span style="font-size: small;">Si bien La ruta del euro es un ensayo
fotográfico, es también un trabajo complejo lleno de
contenidos políticos, que invita al espectador a
una reflexión sobre las relaciones de poder, los prejuicios
y la configuración de las nuevas familias
transnacionales. La misma inauguración de la muestra fue un
ejemplo de ello, cuando Iván Garcés, imposibilitado de venir a Quito, se conectó vía telemática con el
público de la muestra y con su propia familia.</span></div>
<div style="font-family: "Trebuchet MS",sans-serif; margin-bottom: 0in; text-align: center;">
<span style="font-size: small;"><br /></span>
</div>
<div style="font-family: "Trebuchet MS",sans-serif; margin-bottom: 0in; text-align: justify;">
<span style="font-size: small;">Este es el nuevo tejido social de
nuestro país y se espera que más trabajos simbólicos se
sigan produciendo para narrar en primera persona, y con
la madurez de esta muestra, cómo nos vamos
adentrando en las sociedades del nuevo milenio,
interculturales, liminales,desplazadas, recompuestas.</span></div>
<div style="font-family: "Trebuchet MS",sans-serif; margin-bottom: 0in; text-align: justify;">
<span style="font-size: small;"><br /></span>
</div>
<div style="font-family: "Trebuchet MS",sans-serif; margin-bottom: 0in; text-align: justify;">
<b><i><span style="font-size: small;"><span lang="es-ES">Catálogo</span> la
Ruta del Euro</span></i></b></div>
<div lang="es-ES" style="font-family: "Trebuchet MS",sans-serif; margin-bottom: 0in; text-align: justify;">
<b><i><span style="font-size: small;">Fotografías de Iván
Garcés y Paco Salazar</span></i></b></div>Anonymoushttp://www.blogger.com/profile/17135277515436541633noreply@blogger.comtag:blogger.com,1999:blog-32421926854797623.post-86062189118274780982012-02-23T05:49:00.002-08:002012-03-27T03:19:06.898-07:00CARTAS DE MUJERES - Campaña contra la violencia de género<div style="text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyJnRbB2QIMd287Y3p9vKQtXmWMRm9WwLK56gWKLomkaoxnzeMWlF6xzQIZBK-kF5Fa5pKz0-rceMQT4ynzlR4clctCptIvie6_nDnoLQBYHbKOE-weeQlLiZ0g9XqGv9q2q5v6q5nuQE/s1600/afiche+noche.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5712328092337624322" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyJnRbB2QIMd287Y3p9vKQtXmWMRm9WwLK56gWKLomkaoxnzeMWlF6xzQIZBK-kF5Fa5pKz0-rceMQT4ynzlR4clctCptIvie6_nDnoLQBYHbKOE-weeQlLiZ0g9XqGv9q2q5v6q5nuQE/s400/afiche+noche.jpg" style="cursor: hand; cursor: pointer; display: block; height: 400px; margin: 0px auto 10px; text-align: center; width: 279px;" /></a></div>Anonymoushttp://www.blogger.com/profile/17135277515436541633noreply@blogger.comtag:blogger.com,1999:blog-32421926854797623.post-43638991257400755222012-01-21T08:56:00.000-08:002012-01-21T08:57:33.973-08:00Documentary for Sky Babel by Alessandra Galletta<div style="text-align: center;"><iframe width="560" height="315" src="http://www.youtube.com/embed/c5gOLiYnwJs" frameborder="0" allowfullscreen=""></iframe></div>Anonymoushttp://www.blogger.com/profile/17135277515436541633noreply@blogger.comtag:blogger.com,1999:blog-32421926854797623.post-84088507105029716362011-09-15T04:57:00.000-07:002011-09-15T09:45:10.098-07:00VIDEOLAB MORAVIA A PROJECT BY EL PUENTE_LAB<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUI6j8AP8vGAFY8YavBMXNO1PC_rlAPth1Kea_bLFLfLaqVEU2Q30PncbcvHuuD6LMtHcBjQdI7EsoAg5KFr7gdYLj4du1UQUwdkXPjZUyYXxLbmyJ7R4yGcEB5nrxCG_EhwkksgXcteI/s1600/logopuente.png"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 78px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUI6j8AP8vGAFY8YavBMXNO1PC_rlAPth1Kea_bLFLfLaqVEU2Q30PncbcvHuuD6LMtHcBjQdI7EsoAg5KFr7gdYLj4du1UQUwdkXPjZUyYXxLbmyJ7R4yGcEB5nrxCG_EhwkksgXcteI/s400/logopuente.png" alt="" id="BLOGGER_PHOTO_ID_5652554743146558786" border="0" /></a><br /><br /> <h2>[laboratory of cultural activation]</h2> <p><em> <span style="font-weight: bold;">el puente_lab</span></em> is a platform for artistic and cultural production, active in Medellín - Colombia, which aims at developing cultural projects on a local level, building bridges of communication with artists and experts through a strategy of international cooperation.</p><p><br /> The projects developed by <em>el puente_lab</em> meet the specific needs of the social context where they are carried out, using artistic creativity as a tool of activation of cultural projects that initiate, facilitate and / or accompany processes of education, communication and urban and social transformation.<br /> <br /> <em>el puente_lab: </em> Juan Esteban Sandoval, Daniel Alejandro Urrea Peña, Alejandro Vásquez Salinas. <a href="http://www.elpuentelab.org/"><span style="font-style: italic;">READ MORE...</span></a><br /></p>Anonymoushttp://www.blogger.com/profile/17135277515436541633noreply@blogger.comtag:blogger.com,1999:blog-32421926854797623.post-17698931127412576022011-09-02T08:03:00.000-07:002011-09-02T08:09:53.404-07:00el videolab en fotos<div style="text-align: center;"><iframe width="480" height="390" src="http://www.youtube.com/embed/vzfVZZ1B0Qs" frameborder="0" allowfullscreen=""></iframe></div>Anonymoushttp://www.blogger.com/profile/17135277515436541633noreply@blogger.comtag:blogger.com,1999:blog-32421926854797623.post-15384241711593489482011-08-23T14:26:00.000-07:002011-08-31T21:07:53.579-07:00VIDEOLAB MORAVIA - MEDELLIN DEL 16 DE AGOSTO AL 3 DE SEPTIEMBRE 2011<div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpZ61YSLKpFmK_WmoYPfHhiRIPiygfrB6cexNC1YHe8Sj8GQ6nPBYnMP_avlwO6j7pjujMPqW5YjAz9lZ9J3_RVPk0s0EXaUCbuv5o-_D0-mOtDNXKAcMiJsAD4uq1vEY4v0NRPUe8Vis/s1600/289290_10150279086091673_573756672_8089659_671894_o.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpZ61YSLKpFmK_WmoYPfHhiRIPiygfrB6cexNC1YHe8Sj8GQ6nPBYnMP_avlwO6j7pjujMPqW5YjAz9lZ9J3_RVPk0s0EXaUCbuv5o-_D0-mOtDNXKAcMiJsAD4uq1vEY4v0NRPUe8Vis/s400/289290_10150279086091673_573756672_8089659_671894_o.jpg" alt="" id="BLOGGER_PHOTO_ID_5646309241751221730" border="0" /></a><span style=" font-weight: bold; color: rgb(51, 51, 51);font-family:verdana;" >en el Oasis, Moravia</span>
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<br /><div style="text-align: left; font-family: verdana; color: rgb(51, 51, 51);">Moravia Video Lab es un proyecto de El Centro de Desarrollo Cultural de Moravia y El Puente_lab [laboratorio de activación cultural], socio cooperante Cittadellarte - Fondazione Pistoletto (Italia), con el apoyo de Secretaria de la Mujer, Alcaldía de Medellin.
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<br />Formadoras Maria Rosa Jijon - Margarita Vázquez Ponte
<br />Participan:
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<br /><span style=" color: rgb(51, 51, 51);font-family:verdana;" >ADRIANA BUSTAMANTE</span>
<br /><span style=" color: rgb(51, 51, 51);font-family:verdana;" >CAROLINA RAMOS PEREA</span>
<br /><span style=" color: rgb(51, 51, 51);font-family:verdana;" >CIELO M. HOLGUIN</span>
<br /><span style=" color: rgb(51, 51, 51);font-family:verdana;" >CINDY URQUIJO RIOS</span>
<br /><span style=" color: rgb(51, 51, 51);font-family:verdana;" >DANIELA SALDARRIAGA</span>
<br /><span style=" color: rgb(51, 51, 51);font-family:verdana;" >JESSICA ANDREA MAZO</span>
<br /><span style=" color: rgb(51, 51, 51);font-family:verdana;" >MONICA MARCELA GALLO</span>
<br /><span style=" color: rgb(51, 51, 51);font-family:verdana;" >MARIA ALEJANDRA GALEANO</span>
<br /><span style=" color: rgb(51, 51, 51);font-family:verdana;" >YENIFER KATHERINE CASTRILLON</span>
<br /><span style=" color: rgb(51, 51, 51);font-family:verdana;" >ANGIE PAOLA RUEDA</span>
<br /><span style=" color: rgb(51, 51, 51);font-family:verdana;" >ESTEFANY JHOANA ALCARAZ</span>
<br /><span style=" color: rgb(51, 51, 51);font-family:verdana;" >JOHANA CUERVO</span>
<br /><span style=" color: rgb(51, 51, 51);font-family:verdana;" >JOHANA MARCELA FLOREZ</span>
<br /><span style=" color: rgb(51, 51, 51);font-family:verdana;" >KATERINE ECHAVARRIA</span>
<br /><span style=" color: rgb(51, 51, 51);font-family:verdana;" >MONICA VIVIANA VELEZ</span>
<br /><span style=" color: rgb(51, 51, 51);font-family:verdana;" >SARA CRISTINA HENAO</span>
<br /><span style=" color: rgb(51, 51, 51);font-family:verdana;" >SARA GERALDINE ALVAREZ</span>
<br /><span style=" color: rgb(51, 51, 51);font-family:verdana;" >YENNIFER GALEANO</span>
<br /><span style=" color: rgb(51, 51, 51);font-family:verdana;" >YULYANA PRADILLA SOTO</span>
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<br /><span class="Apple-style-span" style=" ;font-family:arial;" ><span class="Apple-style-span" style="font-family:arial;"><div style="text-align: center; "><span class="Apple-style-span" style="color: rgb(51, 51, 51); "><div>
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Esposizione Internazionale d'Arte - la Biennale di Venezia</span></b></p> <p class="MsoNormal" style="text-align:center" align="center"><b style="mso-bidi-font-weight: normal"><span lang="ES-TRAD"> </span></b></p> <p class="MsoNormal" style="text-align:center" align="center"><b style="mso-bidi-font-weight: normal"><span lang="ES-TRAD">Venecia, 4 de junio-27 de noviembre de 2011<span style="mso-spacerun: yes"> </span></span></b></p> <p class="MsoNormal" style="text-align:center" align="center"><b style="mso-bidi-font-weight: normal"><span lang="ES-TRAD"> </span></b></p> <p class="MsoNormal" style="text-align: center;" align="center"><b style=""><span lang="ES-TRAD"><br /></span></b></p><p class="MsoNormal" style="text-align:center" align="center"><b style="mso-bidi-font-weight: normal"><span lang="ES-TRAD"> </span></b></p> <p class="MsoNormal" style="text-align:justify"><span lang="ES-TRAD">El IILA (Instituto Italo-Latino Americano), institución invitada por la Biennale di Venezia desde 1972 a<span style="mso-spacerun: yes"> </span>organizar el “Pabellón América Latina”, presentará para la 54. Esposizione Internazionale d’Arte una<span style="mso-spacerun: yes"> </span>exposición que por primera vez reúne a artistas procedentes de todo el continente, proponiendo un plan<span style="mso-spacerun: yes"> </span>piloto de cultura continental. Como en la pasada edición, el pabellón estará en un espacio al interno de Arsenale que, junto con Giardini, constituye el núcleo de la Bienal.</span></p> <p class="MsoNormal" style="text-align:justify"><span lang="ES-TRAD"> </span></p> <p class="MsoNormal" style="text-align: justify;"><span lang="ES-TRAD">Para esta 54ª edición, el IILA se avale de un equipo integrado por expertos de Europa y América Latina como el Secretario Cultural del IILA, Patricia Rivadeneira, Comisario del Pabellón, y Alfons Hug, convocado por el IILA como Curador del Pabellón. Hug fue curador de Bienal de São Paulo en 2002 y 2004 y curador de la Bienal del Fin del Mundo, Ushuaia, en 2009 y actualmente vive en Río de Janeiro, donde dirige el Goethe- Institut, partner institucional de esta muestra.<br /></span></p><br /><p class="MsoNormal" style="text-align:justify"><span lang="ES-TRAD"> </span></p> <p class="MsoNormal" style="text-align:justify"><span lang="ES-TRAD">La muestra se titula “Entre Siempre y Jamás”, cita de un poema del escritor uruguayo Mario Benedetti, y es dedicada al Bicentenario de la Independencia Latinoamericana, recuperando el significado de la Independencia y del Patrimonio cultural articulando sus ecos temporales y locales a través del Arte. </span></p> <p class="MsoNormal" style="text-align:justify"><span lang="ES-TRAD"> </span></p> <p class="MsoNormal" style="text-align:justify"><span lang="ES-TRAD">Los artistas que participan en esta exposición han explorado América Latina en todas las direcciones. Visitaron ciudades pequeñas y apacibles en el interior de los países, y megalópolis desbordantes y abarrotadas. Sitios aferrados al pasado y modernas metrópolis que se han ocupado de extirpar hasta los últimos vestigios de historia. Con recursos contemporáneos, han investigado los 200 años de la Independencia de América Latina. </span></p> <p class="MsoNormal" style="text-align:justify"><span lang="ES-TRAD"> </span></p> <p class="MsoNormal" style="text-align:justify"><span style="mso-ansi-language:ES-EC" lang="ES-EC">Maria Rosa Jijon participa con la obra seleccionada, el <a href="http://mantamanaos.blogspot.com/">Video “Paradoja Manta-Manaos”</a>, que reflexiona sobre la conservación del patrimonio cultural y natural de la Amazonía ecuatoriana; y busca pensar de manera crítica los efectos del desarrollo y la modernidad por las que ha atravesado el continente americano desde su independencia.</span></p> <p class="MsoNormal" style="text-align:justify"><span lang="ES-TRAD"> </span></p> <p class="MsoNormal" style="text-align:justify"><span lang="ES-TRAD">Las obras de la exposición dan cuenta de las decisivas transformaciones políticas, sociales y culturales a las cuales los estados americanos se ven sometidos en la actualidad. Sobre estas temáticas han reflexionado los artistas invitados: Leticia El Halli Obeid (Argentina), Narda Alvarado (Bolivia), Neville D´Almeida (Brasil), Sebastián Preece (Chile), Juan Fernando Herrán (Colombia), Sila Chanto (Costa Rica), Reynier </span></p> <p class="MsoNormal" style="text-align:justify"><span lang="ES-TRAD">Leyva Novo (Cuba), <b style="mso-bidi-font-weight:normal">María Rosa Jijón (Ecuador),</b> Walterio Iraheta (El Salvador), Regina José Galindo (Guatemala), Escultura voudou patrimonial (Haití), Adán Vallecillo (Honduras), Julieta Aranda (México), Rolando Castellón (Nicaragua), Humberto Vélez (Panamá), Claudia Casarino (Paraguay), Fernando Gutiérrez (Perú), David Pérez Karmadavis (República Dominicana), Martín Sastre (Uruguay), Alexander Apóstol (Venezuela). </span></p> <p class="MsoNormal"><span lang="ES-TRAD"> </span></p> <p class="MsoNormal"><span lang="ES-TRAD">Como el Instituto Italo-Latino Americano promueve las relaciones culturales de América Latina con Italia y Europa se incluyen algunos artistas europeos que realizaron sus obras en América Latina y sobre el Bicentenario: Alberto de Agostini (Italia), Gianfranco Foschino (Italia/Chile), Christine de la Garenne (Alemania/Venezuela), Olaf Holzapfel junto a Teresa, Mirta, Dionisia, Noelia y Luisa Gutiérrez de la comunidad indígena Wichi (Alemania/Argentina), Bjørn Melhus (Noruega/México). </span></p> <p class="MsoNormal"><span lang="ES-TRAD"> </span></p> <p class="MsoNormal"><b style="mso-bidi-font-weight:normal"><span lang="ES-TRAD">Ficha Técnica </span></b></p> <p class="MsoNormal"><span lang="ES-TRAD"> </span></p> <p class="MsoNormal"><span lang="ES-TRAD">Entre Siempre y Jamás </span></p> <p class="MsoNormal"><span lang="ES-TRAD">Pabellón América Latina - IILA (Instituto Italo-Latino Americano) </span></p> <p class="MsoNormal"><span lang="ES-TRAD"> </span></p> <p class="MsoNormal"><span lang="ES-TRAD"> </span></p> <p class="MsoNormal"><span lang="ES-TRAD">54. Esposizione Internazionale d'Arte - la Biennale di Venezia </span></p> <p class="MsoNormal"><span lang="ES-TRAD">Isolotto, Arsenale -30122 Venecia </span></p> <p class="MsoNormal"><span lang="ES-TRAD"> </span></p> <p class="MsoNormal"><span lang="ES-TRAD">Comisario </span></p> <p class="MsoNormal"><span lang="ES-TRAD"> </span></p> <p class="MsoNormal"><span lang="ES-TRAD">Patricia Rivadeneira </span></p> <p class="MsoNormal"><span lang="ES-TRAD"> </span></p> <p class="MsoNormal"><span lang="ES-TRAD">Comisario adjunto </span></p> <p class="MsoNormal"><span lang="ES-TRAD"> </span></p> <p class="MsoNormal"><span lang="ES-TRAD">Alessandra Bonanni </span></p> <p class="MsoNormal"><span lang="ES-TRAD"> </span></p> <p class="MsoNormal"><span lang="ES-TRAD">Curador </span></p> <p class="MsoNormal"><span lang="ES-TRAD"> </span></p> <p class="MsoNormal"><span lang="ES-TRAD">Alfons Hug </span></p> <p class="MsoNormal"><span lang="ES-TRAD"> </span></p> <p class="MsoNormal"><span lang="ES-TRAD">Co-curadoras </span></p> <p class="MsoNormal"><span lang="ES-TRAD"> </span></p> <p class="MsoNormal"><span lang="ES-TRAD">Paz Guevara </span></p> <p class="MsoNormal"><span lang="ES-TRAD">Patricia Rivadeneira </span></p> <p class="MsoNormal"><span lang="ES-TRAD"> </span></p> <p class="MsoNormal"><span lang="ES-TRAD">Partner: Goethe-Institut </span></p> <p class="MsoNormal"><span lang="ES-TRAD"> </span></p> <p class="MsoNormal"><span lang="ES-TRAD">Para más informaciones </span></p> <p class="MsoNormal"><span lang="ES-TRAD"> </span></p> <p class="MsoNormal"><span lang="ES-TRAD">s.culturale@iila.org </span></p> <p class="MsoNormal"><span lang="ES-TRAD"> </span></p> <p class="MsoNormal"><span lang="ES-TRAD">www.iila.org </span></p>Anonymoushttp://www.blogger.com/profile/17135277515436541633noreply@blogger.comtag:blogger.com,1999:blog-32421926854797623.post-2396563437129004312010-11-24T01:17:00.000-08:002011-04-20T15:41:16.775-07:00Señales Rojas - IILA Nov 2010<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPHl84tzh07S0u5QIYepvyUzJNS7ZA_flyPz_U4CsOqPbW2gk9uUR3ZIvFN5j0Z7vR9CXx4Y_RFje2cIwMRq_0svECkIr-iKk3qMrjsj7sYjPc3PLZJfxySGdp0-KHMGdGLy3A9EoU2Po/s1600/Invito_senales_rojas_mostra_iila.jpg"><img style="display: block; 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<span style="color: #333333; font-family: arial;">MUESTRA QUITO EN ZARAGOZA - CENTRO DE HISTORIA ZARAGOZA </span></div>
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Anonymoushttp://www.blogger.com/profile/17135277515436541633noreply@blogger.comtag:blogger.com,1999:blog-32421926854797623.post-79757238158022110932010-03-30T06:47:00.001-07:002012-10-02T09:42:31.214-07:00SUJETO MOVIL, VIDEO E FOTOGRAFIE<div style="text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMwlcQ2_CIc_GAP96VIewDtJ_qN5Nd_zWyRdvsMHbMRFb3wdtgSh7JepaOfGnbx_N2BabxH3d3NId2wFsAy58SNBBTB6YMm9bli11mmUEgUiT9QLeE8tQ-OZixlJpnBqBXfvs8DJZQ_iQ/s1600/MONTAGGIO+-+SM+01.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><span style="font-size: 100%;"></span></a><span style="font-size: 100%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQ0QbaIag79BpfnywjhntUoMlCEQrbBxx9dAr7dw4Dw3TGT9kESBEKfsmJB-eFVLGUqy7_FWQ1jCK7GpWgGCQ_RqA72SWpmSqFHi5ioCu4UW-sHyx6VQORqeS19pAkUIyM4dAbY_fr5r8/s1600/01.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" height="640" id="BLOGGER_PHOTO_ID_5454423523347580402" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQ0QbaIag79BpfnywjhntUoMlCEQrbBxx9dAr7dw4Dw3TGT9kESBEKfsmJB-eFVLGUqy7_FWQ1jCK7GpWgGCQ_RqA72SWpmSqFHi5ioCu4UW-sHyx6VQORqeS19pAkUIyM4dAbY_fr5r8/s640/01.jpg" style="display: block; margin: 0px auto 10px; text-align: center;" width="360" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtK85He8ctfJZWNnAdaWzKHoojrfyXdoeG-kUrnxZD0a-NgzYl_yAqj0II8cpclsbDCB3pSHivyuwaQ6P6p3nVl46N5pE4hjbQqW42uPEFNrVb6xa2HB90JY7Qm_GQ_ZwwGMUTf-7InME/s1600/MONTAGGIO+-+SM+02.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" height="446" id="BLOGGER_PHOTO_ID_5457385370222898754" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtK85He8ctfJZWNnAdaWzKHoojrfyXdoeG-kUrnxZD0a-NgzYl_yAqj0II8cpclsbDCB3pSHivyuwaQ6P6p3nVl46N5pE4hjbQqW42uPEFNrVb6xa2HB90JY7Qm_GQ_ZwwGMUTf-7InME/s640/MONTAGGIO+-+SM+02.jpg" style="display: block; margin: 0px auto 10px; text-align: center;" width="640" /></a></span><span style="color: #666666;">MONTAGGIO DE FRENTE Y DE PERFIL - GALERIA ARTE ACTUAL - FLACSO - QUITO</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMwlcQ2_CIc_GAP96VIewDtJ_qN5Nd_zWyRdvsMHbMRFb3wdtgSh7JepaOfGnbx_N2BabxH3d3NId2wFsAy58SNBBTB6YMm9bli11mmUEgUiT9QLeE8tQ-OZixlJpnBqBXfvs8DJZQ_iQ/s1600/MONTAGGIO+-+SM+01.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><span style="font-size: 100%;"></span></a><span style="font-size: 100%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMwlcQ2_CIc_GAP96VIewDtJ_qN5Nd_zWyRdvsMHbMRFb3wdtgSh7JepaOfGnbx_N2BabxH3d3NId2wFsAy58SNBBTB6YMm9bli11mmUEgUiT9QLeE8tQ-OZixlJpnBqBXfvs8DJZQ_iQ/s1600/MONTAGGIO+-+SM+01.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" height="426" id="BLOGGER_PHOTO_ID_5457384121269938258" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMwlcQ2_CIc_GAP96VIewDtJ_qN5Nd_zWyRdvsMHbMRFb3wdtgSh7JepaOfGnbx_N2BabxH3d3NId2wFsAy58SNBBTB6YMm9bli11mmUEgUiT9QLeE8tQ-OZixlJpnBqBXfvs8DJZQ_iQ/s640/MONTAGGIO+-+SM+01.jpg" style="display: block; margin: 0px auto 10px; text-align: center;" width="640" /></a></span><span style="color: #666666;">MONTAGGIO DE FRENTE Y DE PERFIL - GALERIA ARTE ACTUAL - FLACSO - QUITO</span></div>
<span style="font-size: 100%; font-weight: bold;"><span style="font-size: 130%;"><br />Sujeto Movil</span></span><span style="font-size: 100%;"><span style="font-size: 130%;"><br /></span><span style="font-size: 130%; font-style: italic; font-weight: bold;">in collaborazione con Pablo Hernàndez</span><br /><span style="font-style: italic; font-weight: bold;">Consulta Cittadina del Comune di Roma</span><br /></span><br />
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<span style="font-size: 100%;">La costruzione di nozioni quali Stato nazione, paese, frontiera, sicurezza dei cittadini etc dipende interamente e si sostiene sulla capacità delle istituzioni di generare una immagine facilmente fruibile da parte della società, che giustifichi le azioni e le politiche attuate a salvaguardia di tali discorsi nazionalisti e pseudo federalisti.<br /><br />Nella Fortezza Europa i migranti si sono trasformati in depositari della responsabilità di tutti i conflitti sociali, le insicurezze, la disoccupazione e la perdita di identità che stanno caratterizzando queste società, una volte prospere ed ora in crisi. La produzione di campagne informatiche rappresentanti l’altro “straniero” con caratteristiche negative che possano suscitare paura, rifiuto, o perplessità nella cittadinanza è un modo efficace per ottenere il sostegno di una popolazione acritica che consuma messaggi senza discriminarne i contenuti ed i propositi.<br /><br />Razzismo e Xenofobia sono legittimati da questo tipo di produzione simbolica e sono pochi gli esempi di resistenza mediatica possibile, a fronte di un predominio del messaggio ufficiale.<br /><br />Partendo da tali premesse il momento sembra propizio per utilizzare il ritratto antropologico come strumento ironico che incarni questa rappresentazione dell’altro, per richiamare l’attenzione sul razzismo e la discriminazione verso i migranti e mettere alla prova un uso possibile, a livello politico e culturale, della tipizzazione del soggetto-minaccia.<br /><br />Il ricorso al ritratto antropologico può servire a rappresentare criticamente le due chiavi di lettura dell’attuale tendenza anti-immigrazione, ovvero il tentativo di rappresentare il migrante come soggetto deviante, criminale (similarmente all’uso delle foto segnaletiche utilizzate dalle forze dell’ordine) e come soggetto “estraneo” “diverso” dal punto di vista genetico, etnico, razziale come espresso nell’uso originario della foto antropologica negli studi sulla diversità umana. <a href="http://rosajijon.blogspot.com/p/texts.html">SIGUE</a><br /><br /></span><br />
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Anonymoushttp://www.blogger.com/profile/17135277515436541633noreply@blogger.comtag:blogger.com,1999:blog-32421926854797623.post-34129394220495525152010-02-22T00:52:00.000-08:002010-03-25T05:28:08.068-07:00EN CONSTRUCCION - SUJETO MOVIL<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSWBMJ3cdEr2FjWb_YmJh80AzMfoLAHjdnz0srGgqXqUpM4KsPEcKRPcHSuZCFxjWS3g162mCKjkUxMCU8wD1cv6U6P4hM_oanTn6BNwO97q-d75YcSwu0UpEVQ2-LRd1Z22tRvuKqPeE/s1600-h/FICHA+SUJETO+1.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 283px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSWBMJ3cdEr2FjWb_YmJh80AzMfoLAHjdnz0srGgqXqUpM4KsPEcKRPcHSuZCFxjWS3g162mCKjkUxMCU8wD1cv6U6P4hM_oanTn6BNwO97q-d75YcSwu0UpEVQ2-LRd1Z22tRvuKqPeE/s400/FICHA+SUJETO+1.jpg" alt="" id="BLOGGER_PHOTO_ID_5440988500163803266" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjm3PO2JrmFrocxY14VrhUIbp9-uR-p5a_VP_DsX2pjYtDbFHmcTPm2A7MU_sZcRwh9_QrWLl6HeeeIYx93mkzaonwpJABmb0hc4adq5oBD6VScl41lhaYro5Qy4PQRX7yxOtZwiIVFtLE/s1600-h/MONTAJE+LABORATORIO.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 283px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjm3PO2JrmFrocxY14VrhUIbp9-uR-p5a_VP_DsX2pjYtDbFHmcTPm2A7MU_sZcRwh9_QrWLl6HeeeIYx93mkzaonwpJABmb0hc4adq5oBD6VScl41lhaYro5Qy4PQRX7yxOtZwiIVFtLE/s400/MONTAJE+LABORATORIO.jpg" alt="" id="BLOGGER_PHOTO_ID_5441760379947621714" border="0" /></a><div style="text-align: center;">
<br /><meta name="Title" content=""> <meta name="Keywords" content=""> <meta equiv="Content-Type" content="text/html; charset=utf-8"> <meta name="ProgId" content="Word.Document"> <meta name="Generator" content="Microsoft Word 2008"> <meta name="Originator" content="Microsoft Word 2008"> <link rel="File-List" href="file://localhost/Users/rosajijon/Library/Caches/TemporaryItems/msoclip/0clip_filelist.xml"> <!--[if gte mso 9]><xml> <o:documentproperties> <o:template>Normal.dotm</o:Template> <o:revision>0</o:Revision> <o:totaltime>0</o:TotalTime> <o:pages>1</o:Pages> <o:words>396</o:Words> <o:characters>2260</o:Characters> <o:company>(ahora me llora)</o:Company> <o:lines>18</o:Lines> <o:paragraphs>4</o:Paragraphs> <o:characterswithspaces>2775</o:CharactersWithSpaces> <o:version>12.256</o:Version> </o:DocumentProperties> <o:officedocumentsettings> <o:allowpng/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:worddocument> <w:zoom>0</w:Zoom> <w:trackmoves>false</w:TrackMoves> <w:trackformatting/> <w:hyphenationzone>21</w:HyphenationZone> <w:punctuationkerning/> <w:drawinggridhorizontalspacing>18 pt</w:DrawingGridHorizontalSpacing> <w:drawinggridverticalspacing>18 pt</w:DrawingGridVerticalSpacing> <w:displayhorizontaldrawinggridevery>0</w:DisplayHorizontalDrawingGridEvery> <w:displayverticaldrawinggridevery>0</w:DisplayVerticalDrawingGridEvery> <w:validateagainstschemas/> <w:saveifxmlinvalid>false</w:SaveIfXMLInvalid> <w:ignoremixedcontent>false</w:IgnoreMixedContent> <w:alwaysshowplaceholdertext>false</w:AlwaysShowPlaceholderText> <w:compatibility> <w:breakwrappedtables/> <w:dontgrowautofit/> <w:dontautofitconstrainedtables/> <w:dontvertalignintxbx/> </w:Compatibility> </w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:latentstyles deflockedstate="false" latentstylecount="276"> </w:LatentStyles> </xml><![endif]--> <style> <!-- /* Font Definitions */ @font-face {font-family:Cambria; panose-1:0 0 0 0 0 0 0 0 0 0; mso-font-alt:"Times New Roman"; mso-font-charset:77; mso-generic-font-family:roman; mso-font-format:other; mso-font-pitch:auto; mso-font-signature:3 0 0 0 1 0;} @font-face {font-family:Tahoma; panose-1:2 11 6 4 3 5 4 4 2 4; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-ascii-font-family:Cambria; mso-fareast-font-family:Cambria; mso-hansi-font-family:Cambria; mso-bidi-font-family:"Times New Roman"; mso-ansi-language:ES-TRAD; mso-fareast-language:EN-US;} @page Section1 {size:612.0pt 792.0pt; margin:70.85pt 3.0cm 70.85pt 3.0cm; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.Section1 {page:Section1;} --> </style> <!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tabla normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style> <![endif]--> <!--StartFragment--> <p class="MsoNormal"><b style=""><span lang="ES-TRAD" style="font-family:Tahoma;"><o:p> </o:p></span></b></p> <p class="MsoNormal"><span style="font-size:85%;"><b style=""><span lang="ES-TRAD" style="font-family:Tahoma;">SUJETO MOVIL - MARIA ROSA JIJON<o:p></o:p></span></b></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" ><o:p> </o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" >La construcción de las nociones de Nación Estado, País, Frontera, Seguridad Ciudadana etc... depende enteramente y se apoya en la capacidad de la institución de generar una imagen fácilmente digerible por la sociedad, que justifique las acciones y políticas que se aplican para la salvaguardia de estos discursos nacionalistas y federalistas.<span style=""> </span><o:p></o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" ><o:p> </o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" >En la Fortaleza Europa, los inmigrantes se han convertido en los depositarios de la responsabilidad de todos los conflictos sociales, la inseguridad, el desempleo y la perdida de identidad que afectan a estas sociedades prósperas y en crisis.<span style=""> </span>Para ello la producción de campañas informativas que retraten al otro foráneo con características negativas que puedan suscitar rechazo, miedo, o por lo menos perplejidad en la ciudadanía, es un modo eficaz de captar el apoyo de una población acrítica que consume<span style=""> </span>mensajes sin discriminar sus contenidos y propósitos.<o:p></o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" ><o:p> </o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" >El racismo y la xenofobia son legitimados con este tipo de producción simbólica y son pocos los ejemplos de resistencia mediática posibles, frente a un dominio del mensaje oficial. <o:p></o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" ><o:p> </o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" >Partiendo de estas premisas se perfila como un momento propicio para usar el retrato antropológico como una herramienta irónica que refuerce este modo de representación del Otro, para llamar la atención sobre el racismo y la discriminación contra los inmigrantes y poner a prueba un uso posible, cultural y político,<span style=""> </span>de la tipificación del sujeto amenazador. <o:p></o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" ><o:p> </o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style="font-size:85%;"><b style=""><span lang="ES-TRAD" style="font-family:Tahoma;">La obra<o:p></o:p></span></b></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" ><o:p> </o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" >Se trata de un video de duración variable, con sonido y color. <o:p></o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" ><o:p> </o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" >El escenario es un fondo de color neutral, preferiblemente gris, que es un bastidor portátil que puede ser emplazado en cualquier lugar público.<o:p></o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" ><o:p> </o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" >Los personajes o sujetos son personas migrantes de origen ecuatoriano, residentes en Italia, que previo consenso participan en esta acción pública y colectiva de retratarse con video.<o:p></o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" ><o:p> </o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" >La secuencia tendrá la duración que se alcance dependiendo de la cantidad de gente que decida colaborar y el audio es registrado en directo. Cada sujeto será filmado por un minuto. No hablan.<o:p></o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" ><o:p> </o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" >Este video retrata personas descontextualizadas doblemente, uno porque no se encuentran en su país de origen y dos porque no podemos ver en donde se encuentran gracias al fondo neutro. La única pista posible son las características adquiridas por las personas y el sonido ambiental.<o:p></o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" ><o:p> </o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style="font-size:85%;"><b style=""><span lang="ES-TRAD" style="font-family:Tahoma;">Metodología<o:p></o:p></span></b></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" ><o:p> </o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" >Contactar a los presidentes y representantes de asociaciones de ecuatorianos en Roma y Genova, exponerles el proyecto y sus objetivos y distribución. <o:p></o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" >Establecer una jornada y un lugar donde realizar la filmación. <o:p></o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" ><o:p> </o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" >Rodaje <o:p></o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" ><o:p> </o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style="font-size:85%;"><b style=""><span lang="ES-TRAD" style="font-family:Tahoma;">Tiempo estimado de trabajo</span></b></span><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" > <o:p></o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" ><o:p> </o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" >Dos semanas<b style=""><o:p></o:p></b></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" ><o:p> </o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style="font-size:85%;"><b style=""><span lang="ES-TRAD" style="font-family:Tahoma;">Montaje<o:p></o:p></span></b></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" ><o:p> </o:p></span></p> <p class="MsoNormal" style="text-align: justify;"><span style=";font-family:Tahoma;font-size:85%;" lang="ES-TRAD" >Una retro-proyección video, en pantalla semi transparente con sistema de audio.</span></p><p class="MsoNormal" style="text-align: justify;">
<br /><span lang="ES-TRAD" style="font-family:Tahoma;"><o:p></o:p></span></p> <!--EndFragment--> </div>Anonymoushttp://www.blogger.com/profile/17135277515436541633noreply@blogger.com